In Confabulation, the projection mapping turns the wall of photographs into a stage where confabulation plays out in real time. The moving imagery is mapped back onto the altered prints so that new, generated transitions literally overlay the damaged surfaces, echoing how the mind fills gaps in memory with invented detail. ​ The photographs are organized into a grid that recalls image feeds and archives, the way photos and memories are sorted and consumed today. As that grid erodes through gaps, overlaps, and slight misalignments, it hints at the moment when orderly recall gives way to confabulation, when structure remains but certainty dissolves. By projecting reconstructed sequences onto these unstable fragments, the work shows memory not as a fixed record but as an active process of reassembly. The mapping makes visible how both visual systems and the mind create convincing continuities out of incomplete, decaying traces.